Academy

A craft taught quietly, over years.

Small cohorts. Long hours. A slow, honest apprenticeship in the practice of hair — taught in Nottingham by the stylists who work our chairs, from the fibre outward.

The academy floor, in warm morning light

Where

26 Peveril Street, Radford

Cohorts

Small, by application

Taught by

Working members of the house

Next intake

Confirmed on enquiry

Philosophy

We do not manufacture stylists. We form artisans — one small class at a time — in a room that treats hair as a living material.

Every programme is taught by working members of our house. What you learn on Monday you may practise in a chair by Friday.

The curriculum

What the room teaches.

Every programme covers the same ground at a different depth. It is the salon's own work, taught in the order a pair of hands actually learns it — technique first, taste after.

  • 01

    Hair as a material

    Fibre before fashion. Porosity, density and curl pattern; the scalp read as skin; how a head of hair behaves once it is wet, warm, tensioned or tired.

  • 02

    Braiding & protective work

    Knotless, box and goddess braids. Cornrows and stitch rows laid close to the scalp, twists, plaits, crochet, and the cornrow foundation a weave is built on.

  • 03

    Locs, from start to steady

    Starting and sectioning, retwist and interlocking, barrel and two-strand twists, repair work, detox and the rinse and steam that settle it all down.

  • 04

    Heat & chemistry, with restraint

    Silk press and curly perm. Relaxer strength, timing and the discipline to stop. Bleach and tone — and the patch and strand tests that come before either.

  • 05

    Treatment & recovery

    Conditioner, clay, charcoal and keratin work. Reading damage honestly, and learning the harder skill: knowing when the right answer is to do less.

  • 06

    The consultation

    How to read a head of hair, quote it fairly, plan aftercare, and hold the chair for a child or a first-time client with exactly the same care.

A styling station at the teaching floor
In the room

Mornings on the block. Afternoons in a chair.

Technique is drilled on mannequins until the hands stop thinking about it, then it moves to model clients — supervised, at a real basin, with real time to keep. Nothing is taught in theory that isn't practised the same week.

Cohorts stay small because correction has to be personal. You will be watched closely, told plainly what is wrong, and shown again.

  • Block workDrills and repetition until the parting is clean without looking.
  • Supervised chairsModel clients, real heads, a tutor within arm's reach.
  • Critique & portfolioYour work photographed, reviewed and built into something you can show.
Programmes

Three roads into the craft.

Durations describe the shape of each programme. Current tuition, start dates and kit are confirmed in writing when you enquire — write to us for the figures as they stand today.

01 — Foundation

Foundations in Texture

12 weeks · Full time

Tuition on application

For those beginning. A ground-up study of coily, curly and straight hair — its chemistry, its history and its handling.

02 — Mastery

Colour Mastery

8 weeks · Part time

Tuition on application

Hand-painted balayage, tonal work, and the confidence to consult on any complexion.

03 — Residency

The Residency

6 months · In-studio

Tuition on application

A paid apprenticeship at the chair of a house master. Selective. Rigorous. Transformative.

Who it's for

Three kinds of hands.

01

Beginning from nothing

No experience, no kit, no salon behind you. Foundations assumes only that you are willing to put the hours in.

02

The working stylist

Already behind a chair, and tired of turning away the one thing you never learned — colour, locs, or a cleaner cornrow.

03

Changing course

Coming from another trade entirely. Part-time study exists so a programme can sit beside a job you can't yet leave.

Questions

Before you write.

Anything not answered here, ask us directly — we answer every note ourselves, usually within a working day.

  • Do I need experience to begin?

    Not for Foundations — it is built for people who have never sectioned a head. Colour Mastery expects you to be working already, or recently trained.

  • Which textures do you teach?

    All of them — coily, curly, wavy and straight — with Afro-textured hair as the starting point rather than a module bolted on at the end.

  • Where does teaching happen?

    In the house itself, at 26 Peveril Street, Radford NG7 4AL. You learn in the same room the salon works in, at the same basins.

  • What does it cost, and when is the next intake?

    Both are confirmed in writing when you enquire — tuition and dates move with the programme and the room, and we would rather quote you honestly than post a number that has drifted.

  • Will I leave with a certificate?

    Ask us plainly when you write and we will answer plainly — what a given programme awards, and what it doesn't. We would rather be useful than impressive.

  • Do I need my own kit?

    Bring nothing to the first conversation. If a programme is right for you, we send a list of what it needs before you commit to anything.

A student's hands at work
Applications

Enrolment is by portfolio.

We meet each applicant personally. A short portfolio and a conversation are all that is required to begin.

  1. 01

    Write to us

    A short note is enough: what your hands can already do, and what you want them to be able to do.

  2. 02

    A conversation

    In the house where possible, by phone where it isn't. Bring a portfolio if you have one — photographs on your phone count.

  3. 03

    Your place

    If it is a fit, we confirm tuition, dates and what to bring in writing, before you commit to anything.

Or call the Peveril Street house on 07855 054241.